Kung Fu Panda 4

Brisk, exciting and genuinely funny, ‘Kung Fu Panda 4’ is the highlight of this
long-running franchise, furthering the hero’s journey to enlightenment, working wonders
with its ensemble cast, and embracing the philosophical spirit of kung fu.

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All Shall Be Well

When her lover of forty years suddenly dies, Angie discovers she has no rights even to her own apartment in Ray Yeung’s Teddy Award-winning ‘All Shall Be Well’, a heartfelt though unexceptional drama revealing Hong Kong’s unjust inheritance laws for same-sex couples.

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Shambhala

Nepal’s first-ever competition title at the Berlinale, Min Bahadur Bham’s Shambhala is a visually breathtaking, emotionally engaging relationship drama about a young Tibetan’s physical and mental journey across the Himalayas in search of her vanished husband.

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In the Belly of A Tiger

Bowing in the Berlinale’s independently curated Forum programme, Indian filmmaker Siddartha Jatla’s second feature, ‘In the Belly of a Tiger’, combines social critique with magical realism to depict the struggles of India’s rural poor.

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Black Tea

The gap between African and Chinese culture proves easier to breach than the perspectives that separate a woman and a man in acclaimed director Abderrahmane Sissako’s ‘Black Tea’, a fascinating love story set in China but one that sadly gets lost in the telling.

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Dune: Part Two

The second chapter of Denis Villeneuve’s epic adaptation delivers on the visual grandeur and political intrigue, even if the characters tend to be reduced to their plot function.

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Gloria!

A joyful feminist fantasy set in Venice in 1800, in which music unchains an orphanage full of talented girl musicians, ‘Gloria!’ will split audiences into two distinct camps.

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Diaries from Lebanon

Three people in Beirut representing the past, present and future of Lebanon experience the hopes, disappointments and decimated sense of stability in Myriam El Hajj’s sad yet defiant documentary tracing the country’s ups and downs since 2018.

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Pepe

Nelson Carlos De Los Santos Arias’s fanciful exploration of the inner life of one of Pablo Escobar’s cocaine hippos, Pepe, is an idiosyncratic affair as piercing and beguiling as it is confounding.

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