An omnibus of women-directed Saudi shorts that acts as a calling card for the diversity of rising talent in the Kingdom, offering five largely strong entries highlighting the ways women negotiate traditional female and non-female spaces.

An omnibus of women-directed Saudi shorts that acts as a calling card for the diversity of rising talent in the Kingdom, offering five largely strong entries highlighting the ways women negotiate traditional female and non-female spaces.
The fears and longings of four Lebanese boys on their way to lose their virginity is conveyed in interior monologues in George Peter Barbari’s poignant and deeply original first film.
Palestine’s 2022 Oscar submission is a brooding story of lives in limbo in the Golan Heights, stunningly shot and wrenching in its moving evocation of a man mired in self-loathing and paralyzed by the physical and existential no-man’s land resulting in the Israeli occupation and the disaster in Syria.
Rashid Masharawi’s upbeat lockdown documentary set in Montmartre is a one man show full of charm and humanity.
A well-calibrated debut with a fine central performance, weaving together notions of class and familial betrayal when an impoverished mother sells her son’s kidney to a well-off family in exchange for a better life.
In the bitter drama of a human rights lawyer struggling with mental illness, well-known actor Dhafer L’Abidine directs, produces and stars in a passionate plea to Tunisians to reclaim their revolution.
Predictably stereotyped characterizations still deliver some enjoyable moments in this female empowerment story that unfortunately also plays to the region’s homophobia but will be a crowd-pleaser in the Arab world.