Festival Reviews

The Dam

The Dam

Lebanese artist-filmmaker Ali Cherri delivers a visually mesmerising and quietly political first feature, set among Sudanese bricklayers working on the biggest hydroelectrical dam in Africa.

Tori and Lokita

Tori and Lokita

The latest from the Belgian Dardenne brothers is yet another one of their dramas of stripped-back social realism, this time about two immigrant minors who try to pass as siblings.

The Pack

The Pack

In this first-time feature from Colombia, a group of convicted juvenile criminals are stranded in a remote country estate, where they undergo a bizarre rehabilitation process while providing free labor for a gang of shady correctional officials. It’s an intriguing...

The Super-8 Years

The Super-8 Years

Director David Ernaux-Briot and his mother, novelist Annie Ernaux, dive into the family’s Super-8 footage collection for this gentle rumination on times past.

More Than Ever

More Than Ever

Death hovers over director Emily Atef’s fifth feature, More Than Ever (Plus Que Jamais), in unsettling ways. First, it fuels this solemn and emotionally gripping story about a woman in a relationship who's diagnosed with a rare lung disease and faced with her imminent...

R.M.N.

R.M.N.

Cristian Mungiu’s excoriation of xenophobia in multiethnic Transylvania is a classic example of the director’s dedication to naturalism and boasts several superb sequences, but it tries a bit too hard to encompass more topics than it can comfortably handle.

My Imaginary Country

My Imaginary Country

Though nothing like Patrizio Guzmán’s fabled ‘The Battle of Chile’ or ‘Nostalgia for the Light’, this energizing doc is still a master class on Chile’s recent nation-wide uprising for democracy and social justice.

Aftersun

Aftersun

Writer-director Charlotte Wells combines great performances, poetic visuals and bittersweet personal memories in her dazzling debut feature ‘Aftersun’.

The Stranger

The Stranger

Hinging on two compelling performances, this is an absorbing drama that blends the cat-and-mouse tension of a thriller with police procedural to gripping and haunting effect.

99 Moons

99 Moons

Sex and love don’t always make for ideal bedmates, and the strain one places on the other is at the heart of Swiss writer-director Jan Gassmann’s latest feature, 99 Moons. Provocative but also thought-provoking, this story of a couple that meets through a Tinder-like...

The Natural History of Destruction

The Natural History of Destruction

Sergei Loznitsa’s latest archival cinema essay, inspired by W.G. Sebald’s book and organized within a quasi-symphonic structure, lays out the brutality of fire bombings in World War II and the ways the war machine refused to acknowledge the human costs.

The Mountain

The Mountain

Thomas Salvador’s beguiling second feature innovatively combines a realistic first half with fantasy elements in the second without losing its earlier spirit, achieved through unpretentious storytelling, a superb visual eye and excellent special effects.

Son of Ramses

Son of Ramses

Clément Cogitore is less known in France as a feature filmmaker than as young and highly coveted visual artist, with shorts like the Siberia-set documentary, Braguino, and the crunk dance battle/opera piece Les Indes galantes — both released in 2017 — sealing his...

Stars at Noon

Stars at Noon

CANNES GRAND PRIX – JOINTLY AWARDED, REVIEWED MAY 26 Set in Central America, Claire Denis’ second English-language film is more straightforward than most of her works but is unmistakably hers in the way she suspends her complex characters in the sweaty grasp of a tropical setting.

Close

Close

CANNES GRAND PRIX, JOINTLY AWARDED – REVIEWED MAY 27 Lukas Dhont’s gut-wrenching second feature is a stunning ode to adolescent same-sex friendship and a powerful critique of the ways society normalizes aggression while demonizing physical tenderness.

Awards Corner

CANNES 2022

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