Lasse Hallström’s beautifully crafted biopic brings to life an almost unknown Swedish painter who was an avant gardiste, spiritualist and theosophist.
Lasse Hallström’s beautifully crafted biopic brings to life an almost unknown Swedish painter who was an avant gardiste, spiritualist and theosophist.
Colombian writer-director Laura Mora’s prize-winning road movie ‘Kings of the World’ is a messy but big-hearted love letter to the loveless.
As a quick perusal of The Film Verdict’s Oscar coverage shows, the Academy Awards are no longer an exclusively or even a mostly American thing. With our reviews, interviews and profiles, we have tried to capture the world-wide excitement of filmmakers and producers...
“I can believe in cinema again!” The Indian director of ‘Last Film Show’ talks about making an ode to celluloid in the digital age.
The Estonian filmmaker talks about the unwittingly timely release of ‘Kalev’.
The celebrated Belgian director is once again representing his country in the Oscar race.
Bosnian director Aida Begic gives a 21st century feminist remix to a 19th century folk story in her baggy but formally ambitious ‘A Ballad’, the Oscar entry from Bosnia and Herzegovina.
Cristèle Alves Meira’s feature debut is an uneven work that combines anthropological and documentary details with more supernatural elements.
The plight of the indigenous Ayoreo, the last tribe to avoid contact and reclaim its territories in the Paraguayan Chaco Forest, is painstakingly and poetically rendered in this drama premiering at Rotterdam.
La difícil situación de los indígenas ayoreo, la última tribu en evitar el contacto y reclamar sus territorios en la selva del Chaco paraguayo, se plasma de forma minuciosa y poética en este drama que se estrenó en Rotterdam y es candidata al Oscar Internacional 2023 por Paraguay.
A subtle character study successfully explores guilt, filial duty and labor relations between a young farmhand and his boss, set among the vast soybean plantations along the Uruguay Brazil border.
Un sutil estudio de personajes que explora con éxito el sentimiento de culpa, el deber filial, y las relaciones laborales entre un joven peón y su patrón, ambientado en las vastas plantaciones de soja a lo largo de la frontera entre Uruguay y Brasil.
El drama de Santiago Mitre sobre el Juicio a las Juntas hace justicia a este importante hito de la historia argentina.
The Polish filmmaker discusses his bond with the animal star(s) of ‘EO’.
Santiago Mitre’s drama about the Trial of the Juntas does this important milestone in Argentina’s history justice.
El segundo largometraje de Carla Simón es una mirada novelesca pero poco sentimental sobre una familia rural catalana.
Carla Simón’s second feature is a novelistic yet unsentimental look at a rural Catalan family.
French director and documentarian Alice Diop makes a bright debut in fiction filmmaking with her complexly layered, multi-prize-winning ‘Saint Omer’, exploring the dark side of motherhood.
A beautifully shot, rigidly ice-cold story of love, disease and crushed dreams that will play best with festival crowds and highly selective art houses.
Ali Abbasi’s Iranian-set noir, based on a real serial killer of prostitutes, explores the social and religious culture that is often used as an excuse for violence against women.
Laura Mora became the first Colombian director to win the Golden Shell at San Sebastian for her chaotic, dreamlike epic, ‘The Kings of the World.’ It is now Colombia’s Oscar hopeful.
The UK’s official Oscar submission is a sweetly knowing homage to classic cinema, especially the modern masters of Iran.
Oscars voters have always had a soft spot for movies about movies – and Last Film Show should very much fit their bill as they survey the candidates for the Best International Film Academy Award. India’s submission for the category is a lushly-lensed feature aimed...
A manual day laborer is selected to play Hitler in a film, but this stroke of “luck” leads to terrible tragedies on the film set in Houman Seyedi’s expertly crafted, realistic/metaphoric tale about authoritarian society.
Mario Martone directs an emotional terror tour through Baroque, Camorra-ridden Naples, where actor Pierfrancesco Favino has a rendezvous with destiny.
The Singaporean director recounts his full immersion in the Oscar promotion process and looks ahead to remakes.
In Costa Rica’s Oscar entry, magic realism meets environmental degradation in the austere tale of a widower’s resistance against ruthless developers.
An intriguing and seldom-told WWII story gets the standardized treatment in this epic-scale Norwegian drama.
Mexican master Alejandro G. Iñárritu (‘Birdman’, ‘The Revenant’) takes time off for a very personal project with autobiographical and cinematic undertones.
The titular box that young Mexican teen Hatzin (newcomer Hatzin Navarrete) picks up containing his father’s remains may look like a simple mini-casket, but the emotional baggage that goes with it is far weightier than what’s inside. In the third and final installment...
Estonia’s official Oscar submission ‘Kalev’ finds timely modern echoes in a true sporting saga that took place during the dying days of Russian occupation.
Un complejo thriller basado en un escándalo verdadero de abusos sexuales que involucra a políticos chilenos, sacerdotes, empresarios y niños desamparados, donde nadie es totalmente inocente o culpable.
He Shuming’s feature debut ‘Ajoomma’, Singapore’s Oscar hopeful, is an amusing look at life’s second act with a warm, winning performance by Hong Huifang.
Competing forms of victimhood expose a rotten racist society in Slovak director Michal Blaško’s prize-winning Oscars submission ‘Victim’.
A grieving family struggle to move beyond tragedy in Martijn de Jong’s poetically filmed debut feature ‘ Narcosis’, the official Dutch submission to the Oscars.
Lasse Hallström’s beautifully crafted biopic brings to life an almost unknown Swedish painter who was an avant gardiste, spiritualist and theosophist.
Colombian writer-director Laura Mora’s prize-winning road movie ‘Kings of the World’ is a messy but big-hearted love letter to the loveless.
As a quick perusal of The Film Verdict’s Oscar coverage shows, the Academy Awards are no longer an exclusively or even a mostly American thing. With our reviews, interviews and profiles, we have tried to capture the world-wide excitement of filmmakers and producers...
“I can believe in cinema again!” The Indian director of ‘Last Film Show’ talks about making an ode to celluloid in the digital age.
The Estonian filmmaker talks about the unwittingly timely release of ‘Kalev’.
The celebrated Belgian director is once again representing his country in the Oscar race.
Bosnian director Aida Begic gives a 21st century feminist remix to a 19th century folk story in her baggy but formally ambitious ‘A Ballad’, the Oscar entry from Bosnia and Herzegovina.
Cristèle Alves Meira’s feature debut is an uneven work that combines anthropological and documentary details with more supernatural elements.
The plight of the indigenous Ayoreo, the last tribe to avoid contact and reclaim its territories in the Paraguayan Chaco Forest, is painstakingly and poetically rendered in this drama premiering at Rotterdam.
La difícil situación de los indígenas ayoreo, la última tribu en evitar el contacto y reclamar sus territorios en la selva del Chaco paraguayo, se plasma de forma minuciosa y poética en este drama que se estrenó en Rotterdam y es candidata al Oscar Internacional 2023 por Paraguay.