The Hand of God

È stato la mano di Dio

Courtesy of the Venice Film Festival.

VERDICT: Paolo Sorrentino reflects on his Neapolitan youth in an autobiographical film whose first half is replete with signature baroque touches but then loses its way.

Jay Weissberg

September 2nd, 2021

Autobiography is a tricky business. It pushes the writer towards self-analysis without any guarantee
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