Author: Jay Weissberg

Baan

An undisciplined feature debut burdened by regrettably immature dialogue that knee-caps a potentially interesting impressionistic exploration of what “home” means in a globalized world.

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Stepne

Maryna Vroda’s richly lensed feature debut is a melancholic look at a dying part of north-eastern Ukraine that’s seemingly untouched by the present war, and while the narrative holds interest thanks especially to the protagonist, it’s the documentary-like scenes that are the film’s heart.

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