The Bride!
Maggie Gyllenhaal’s exasperating, maximalist take on Bride of Frankenstein never suffers from a lack of ideas or nerve, but ultimately collapses under its own weight.
Maggie Gyllenhaal’s exasperating, maximalist take on Bride of Frankenstein never suffers from a lack of ideas or nerve, but ultimately collapses under its own weight.
Five powerful women recently announced a new Mexican film law that addresses the challenges posed by new technologies and increases democratic access to audiovisual production.
Ilker Catak's drama 'Yellow Letters' wins the Golden Bear for Best Film amid a firestorm of unrelated political debate.
China’s one-child policy provides the inspiration for Dean Wei and Shiyu Liu’s The Apple Doesn't Fall..., a meticulous and theatrical apartment-bound family drama told through expressive dance.
An idealistic politician is seduced by the dark side of power in Rezwan Shahriar Simut's polished but predictable drama 'Master', which took home one of the main prizes in Rotterdam.
Con un trasfondo de pobreza y penurias endémicas, el galardonado director mexicano Fernando Eimbcke teje una historia encantadora, a menudo cómica, de amor, pérdida y soledad en torno a una mujer solitaria y sus dos inquilinos temporales.
The docuseries 'The Oligarch and the Art Dealer' provides a gripping look into a high-profile battle in the shadowy realm of the luxury art trade.