The End of Oak Street
The many references to Spielberg in David Robert Mitchell’s latest serve only as a reminder that Spielberg would more delicately handle the disparate tones of this dysfunctional-family-versus-dinosaurs saga.
The many references to Spielberg in David Robert Mitchell’s latest serve only as a reminder that Spielberg would more delicately handle the disparate tones of this dysfunctional-family-versus-dinosaurs saga.
A school trip to Naples stirs up strong emotions in Marine Atlan’s strong feature debut ‘La Gradiva’, the big winner of Cannes’ Critics Week in 2026.
Macedonian writer-director Kosara Mitic’s relentlessly unsettling coming-of-ager is a head-on reckoning with assault, powered by a visceral lead performance.
“We are basically their eyes, but it is like we don’t exist.” These are the...
Filmmaker Lana Daher filmically mimics the chaos, confusion and complexity of her native Beirut’s recent history in a whirlwind of archival montage that is at once stunning and indecipherable.
El icónico veterano español del cine Pedro Almodóvar ofrece más dolor que gloria en Amarga Navidad, un drama semi-autobiográfico y autocrítico -aunque de forma suave y delicada- en la etapa tardía de su carrera.
Doc-maker Marlene Edoyan brings a sensitive and poetic, observational eye to Armenian dreams of past and future on the Georgian border.