The End of Oak Street
The many references to Spielberg in David Robert Mitchell’s latest serve only as a reminder that Spielberg would more delicately handle the disparate tones of this dysfunctional-family-versus-dinosaurs saga.
The many references to Spielberg in David Robert Mitchell’s latest serve only as a reminder that Spielberg would more delicately handle the disparate tones of this dysfunctional-family-versus-dinosaurs saga.
Florin Serban's Locarno winner 'You Don't Belong Here' deftly dismantles the reign of amoral masculinity over a Romanian town with the controlled, deliberate precision of a surgical cut.
Bosnian film-maker Dragana Jurišic returns to the Wild East of her war-torn childhood in 'The Balkan Cowboy', a charmingly quirky and deeply personal love letter to a lost pioneer of low-budget westerns.
Marjolaine Perreten's expressive animation, Singularity, combines a goofy and loveable protagonist with a sombre depiction of nature's red teeth and claws in twilight of the Ice Age.
Filmmaker Lana Daher filmically mimics the chaos, confusion and complexity of her native Beirut’s recent history in a whirlwind of archival montage that is at once stunning and indecipherable.
El icónico veterano español del cine Pedro Almodóvar ofrece más dolor que gloria en Amarga Navidad, un drama semi-autobiográfico y autocrítico -aunque de forma suave y delicada- en la etapa tardía de su carrera.
Doc-maker Marlene Edoyan brings a sensitive and poetic, observational eye to Armenian dreams of past and future on the Georgian border.