The End of Oak Street
The many references to Spielberg in David Robert Mitchell’s latest serve only as a reminder that Spielberg would more delicately handle the disparate tones of this dysfunctional-family-versus-dinosaurs saga.
The many references to Spielberg in David Robert Mitchell’s latest serve only as a reminder that Spielberg would more delicately handle the disparate tones of this dysfunctional-family-versus-dinosaurs saga.
This nearly-shelved Looney Tunes feature keeps the visual and verbal gags rapid-fire while also hitting its marks as a character-based legal thriller. With giant wooden mallets.
Filmmaker Lana Daher filmically mimics the chaos, confusion and complexity of her native Beirut’s recent history in a whirlwind of archival montage that is at once stunning and indecipherable.
A widower becomes aware of his daughter becoming a woman in 32B, Mohamed Tamer's awkward but touching Cairo-set comedy.
Doc-maker Marlene Edoyan brings a sensitive and poetic, observational eye to Armenian dreams of past and future on the Georgian border.
El icónico veterano español del cine Pedro Almodóvar ofrece más dolor que gloria en Amarga Navidad, un drama semi-autobiográfico y autocrítico -aunque de forma suave y delicada- en la etapa tardía de su carrera.
Winning four big prizes at BIFAN, Jeong Beom’s ‘Knock’ thrives on a powerful premise and thumping performances, but spirals towards stylistic incoherence at the end.