The End of Oak Street
The many references to Spielberg in David Robert Mitchell’s latest serve only as a reminder that Spielberg would more delicately handle the disparate tones of this dysfunctional-family-versus-dinosaurs saga.
The many references to Spielberg in David Robert Mitchell’s latest serve only as a reminder that Spielberg would more delicately handle the disparate tones of this dysfunctional-family-versus-dinosaurs saga.
The market side of Sarajevo 2026 is focusing on Switzerland, in a year that promises to be major for the country and its films.
Meticulously framed and feverishly psychedelic, Ann Oren’s latest vision of fetishes, fixations and fungi is a stylised, impressively realised erotic adventure.
An elderly man in Beirut wrestles with grief and his own mortality in All This Death, Fadi Syriani's poignant and accomplished stop-motion animation.
Filmmaker Lana Daher filmically mimics the chaos, confusion and complexity of her native Beirut’s recent history in a whirlwind of archival montage that is at once stunning and indecipherable.
El icónico veterano español del cine Pedro Almodóvar ofrece más dolor que gloria en Amarga Navidad, un drama semi-autobiográfico y autocrítico -aunque de forma suave y delicada- en la etapa tardía de su carrera.
Doc-maker Marlene Edoyan brings a sensitive and poetic, observational eye to Armenian dreams of past and future on the Georgian border.