The End of Oak Street
The many references to Spielberg in David Robert Mitchell’s latest serve only as a reminder that Spielberg would more delicately handle the disparate tones of this dysfunctional-family-versus-dinosaurs saga.
The many references to Spielberg in David Robert Mitchell’s latest serve only as a reminder that Spielberg would more delicately handle the disparate tones of this dysfunctional-family-versus-dinosaurs saga.
The market side of Sarajevo 2026 is focusing on Switzerland, in a year that promises to be major for the country and its films.
Kosovar director Blerta Basholli’s assured second feature is a taut, ‘90s-set coming-of-ager in which a teen's journey to agency over her body means reckoning with political violence.
An elderly man in Beirut wrestles with grief and his own mortality in All This Death, Fadi Syriani's poignant and accomplished stop-motion animation.
Filmmaker Lana Daher filmically mimics the chaos, confusion and complexity of her native Beirut’s recent history in a whirlwind of archival montage that is at once stunning and indecipherable.
El icónico veterano español del cine Pedro Almodóvar ofrece más dolor que gloria en Amarga Navidad, un drama semi-autobiográfico y autocrítico -aunque de forma suave y delicada- en la etapa tardía de su carrera.
Doc-maker Marlene Edoyan brings a sensitive and poetic, observational eye to Armenian dreams of past and future on the Georgian border.