The Social Reckoning
Aaron Sorkin’s lively, riveting celebration of shoe-leather journalism pays homage to a blistering Wall Street Journal series about Facebook that ultimately changed… well, nothing, actually.
Aaron Sorkin’s lively, riveting celebration of shoe-leather journalism pays homage to a blistering Wall Street Journal series about Facebook that ultimately changed… well, nothing, actually.
Alejandro G. Iñárritu’s contribution to “billionaires are destroying the world” cinema is an exercise in graceless maximalism, but Tom Cruise gets an “A” for effort.
Returning to Busan after 15 years, Michelle Yeoh talks about her latest film, Korean movies she loves, and the injury that nearly ended her career.
Gender identity, freedom and grief all become entwined in Life After a Lifetime and Endless Rebirths, Leart Rama's propulsive and emotive short about a young woman clinging to the memory of her disappeared boyfriend.
The 74th SSIFF was a bright year for Spanish films, Nordic pictures and gay-themed stories.
La segunda película de Mikel Gurrea, que se estrena en San Sebastián es una historia eticamente compleja de santos y ladrones.
From the deeply personal to the searingly political, Oldenburg returned for 2026 with an array of creative, challenging, and arresting independent films.