Moana
If Disney insists on plundering its own back catalog for these redundant live-action remakes, the results should always be this entertaining.
If Disney insists on plundering its own back catalog for these redundant live-action remakes, the results should always be this entertaining.
Karen Avetisyan, Artistic Director of the Golden Apricot Yerevan International Film Festival, advocates for a regional cinema that safeguards memory and connects the displaced.
Winning four big prizes at BIFAN, Jeong Beom’s ‘Knock’ thrives on a powerful premise and thumping performances, but spirals towards stylistic incoherence at the end.
China’s one-child policy provides the inspiration for Dean Wei and Shiyu Liu’s The Apple Doesn't Fall..., a meticulous and theatrical apartment-bound family drama told through expressive dance.
The critics' report
La muerte no tiene dueño, del director venezolano Jorge Thielen Hedderich, en la Quincena de Realizadores, logra una excelente atmósfera pero la película se pierde al buscar una mezcla de géneros.
Korean director Yu Soyoung reflects on filmmaking after winning a special prize at JEONJU IFF with her feature debut, 'Water Deer'.