Featuring nuanced performances from its leads, Payal Kapadia’s tender relationship drama ‘All We Imagine As Light’, about three women working in a Mumbai hospital, is the first Indian film to compete for the Palme d’Or in more than three decades.
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Bowing in Un Certain Regard at Cannes, Truong Minh Quy’s third feature ‘Viet and Nam’ leans more on innovative imagery and historical allegory than its underwritten story and characters.
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Yuumi Kawai delivers a storm of a performance as a young bipolar woman struggling with Japan’s unspoken social norms in “Desert of Namibia”, Japanese filmmaker Yoko Yamanaka’s stunning sophomore effort.
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Sergei Loznitsa follows up his landmark 2014 doc ‘Maidan’ with a more recent portrait showing the impact of Russian aggression on his country in ‘The Invasion’.
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Rithy Panh’s unnerving screen adaptation of U.S. war correspondent Elizabeth Becker’s real-life 1978 visit to Khmer Rouge-ruled Cambodia vaunts intense performances, a diverse visual palette and an ominous sound design.
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