Oldenburg


The Black Guelph

The Black Guelph

Actor turned director John Connors makes a powerful statement with his debut dramatic feature ‘The Black Guelph’, a gritty Irish crime thriller about secrets, lies and trauma passed down the generations.

Aberrance

Aberrance

Director Baatar Batsukh raises the bar for Mongolian genre cinema with his twist-heavy, visually impressive psycho-horror debut ‘Aberrance’.

Parsley

Parsley

Jose Maria Cabral’s historical drama about the appalling 1937 ‘Parsley massacre’ in the Dominican Republic is a well-mounted but utterly harrowing picture of atrocity.

Junk Space Berlin

Junk Space Berlin

Debutant director Juri Padel’s low-budget cyberpunk thriller ‘Junk Space Berlin’ elevates its scrambled plot and fuzzy intentions with dazzling digital glitch-art visuals.

Linoleum

Linoleum

Director Colin West’s soulful sci-fi comedy drama ‘Linoleum’ balances its sentimental message with sharp jokes, strong performances and deft plot twists.

Our Father, The Devil

Our Father, The Devil

Revenge is not so sweet in ‘Our Father, The Devil,’ director Ellie Foumbi’s gripping, horror-tinged thriller about African immigrants with a shared history of violence.

The Gravity

The Gravity

Social tensions and strange cosmic disturbances collide in French director Cédric Ido’s imperfect but admirably ambitious genre-blurring thriller ‘The Gravity’.

Brothers

Brothers

A gory, suspenseful debut from Kazakhstan’s Darkhan Tulegenov offers a moody, pessimistic take on the crime thriller that interrogates class inequality and hypocrisy.

Way Out Ahead Of Us

Way Out Ahead Of Us

A vague, dreamlike lyricism is prioritised over socio-political critique in Rob Rice’s collaboratively-minded doc-fiction portrait of a family facing uncertain futures in the Californian desert.

Awards Corner

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