Author: Clarence Tsui

An intimate portrait of two dancers from Serbia and the U.S., Marta Popivoda’s ‘Body in Plural’ inventively describes the human body as a vessel for individual expression, collective action and social change.

Korean filmmaker Jang Yun-mi’s first feature-length documentary, ‘Miari Texas’, is an immersive, empathetic experience about Seoul’s oldest red-light district as demolition nears.

Park Soo-ah and Kang Hye-won vividly evoke the confusion and grief of recently orphaned kids in Kim Yong-cheon’s ‘A Little Life’, one of two recent productions funded by the Jeonju Cinema Project.

French-educated Korean filmmaker Jéro Yun teases raw emotions and rapturous performances out of his cast in ‘Left Behind’.