Venice 2024


The Brutalist

The Brutalist

Writer-director Brady Corbet’s monumental period drama about a tortured genius of modernist architecture, ‘The Brutalist’ is ponderous and bloated, but visually stunning and superbly acted.

I’m Still Here

I’m Still Here

Director Walter Salles and actress Fernanda Torres relive the terrors of Brazil’s military dictatorship in the 1970s and one woman’s resistance to silence in ‘I’m Still Here’, a gripping, elevating drama about making truth known and rebuilding a life when all seems lost.

Venice 2024: The Awards

Venice 2024: The Awards

Pedro Almodóvar’s first English-language feature ‘The Room Next Door’ was a dignified winner of the Golden Lion: a quietly profound meditation on love and death, pain and glory, buoyed by knockout performances from TIlda Swinton and Julianne Moore.

Love

Love

Dag Johan Haugerud’s trilogy about relationships in present day Oslo continues with the cleverly moving ‘Love’, screened in Venice’s main competition.

Youth: Homecoming

Youth: Homecoming

Wang Bing brings his documentary trilogy to a strong close with ‘Youth: Homecoming’, first screened in Venice’s main competition.

Stranger Eyes

Stranger Eyes

A kidnap thriller rooted in surveillance, voyeurism and the unkindness of strangers, Yeo Siew Hua’s third feature ‘Stranger Eyes’ is the first ever Singaporean film to compete for the Golden Lion in Venice

Mistress Dispeller

Mistress Dispeller

Director Elizabeth Lo explores China’s novel solutions to infidelity and marital crisis with her intimate love-triangle documentary ‘Mistress Dispeller’.

Awards Corner

Venice 2024

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