Berlin 2025


If I Had Legs I’d Kick You

If I Had Legs I’d Kick You

Starring Rose Byrne on revelatory form, Mary Bronstein’s high-energy dark comedy ‘If I Had Legs I’d Lick You’ takes a deep dive into the nightmarish pressures and surreal horrors of motherhood.

The Settlement

The Settlement

Director Mohamed Rashad’s working-class drama ‘The Settlement’, a visually impressive folk tale portraying a young man’s desperate attempts at social integration, is a milestone for the Egyptian film industry at the Berlinale.

Kontinental ’25

Kontinental ’25

Punky Romanian auteur Radu Jude softens his usual bitingly satirical approach with his latest Berlinale prize-winner ‘Kontinental ’25’, a serious-minded but minor-key social drama about gentrification and bourgeois liberal guilt.

Berlin 2025: The Awards

Berlin 2025: The Awards

Norwegian director Dag Johan Haugerud’s trilogy closer ‘Dreams (Sex, Love)’ grabbed the Golden Bear for its portrait of a 15-year-old girl’s first crush and the intimacy of desire.

The Botanist

The Botanist

A Kazakh boy and a Chinese girl grow up together in China’s vast northeast, in Jing Yi’s dreamlike and meditative first film, ‘The Botanist’.

What Does That Nature Say to You

What Does That Nature Say to You

Korean filmmaker Hong Sangsoo returns to Berlin competition for the seventh time with ‘What Does That Nature Say to You’, an amusing boyfriend-meets-girlfriend’s-family tale illustrating the artist’s need to reject materialism.

Late Shift

Late Shift

You can’t look away from nurse Floria as she races around an understaffed hospital to check on 25 seriously ill patients in Petra Volpe’s breathless, high-stress salute to the nursing profession.

Dreams (Sex, Love)

Dreams (Sex, Love)

Norway won the Golden Bear this year in Berlin with the endearingly awkward ‘Dreams’ (‘Drømmer’), the final installment in Dag Johan Haugerud’s trilogy about contemporary relationships.

All I Had Was Nothingness

All I Had Was Nothingness

Guillaume Ribot powerfully evokes the Holocaust in an astutely edited collection of outtakes from Claude Lanzmann’s 9½ hour documentary ‘Shoah’ (1985), both playing in the Berlin Film Festival at a crucial point in history.

Awards Corner

Berlin 2025

  • No awards yet.