Oldenburg 2026: The Verdict
From the deeply personal to the searingly political, Oldenburg returned for 2026 with an array of creative, challenging, and arresting independent films.
From the deeply personal to the searingly political, Oldenburg returned for 2026 with an array of creative, challenging, and arresting independent films.
Zachary Nichols’ ‘Variations on Violence’ took home the top prize at this year’s Oldenburg Film Festival.
The Taste of Your Scales is an ominous and unsettling fantasy is a coming-of-age story, where a boy learns the truth about the fish factory in which his father works.
A Canadian woman wakes from a coma speaking in a Bosnian accent in Foreign Tongue, Boris Mojsovski’s meditation on the immigrant experience draped on a rom-com framework.
An inflammatory video of the Prime Minister provides the McGuffin for Srdjan Janicijevic’s absorbing thriller, You Won’t Believe What Happened Before, which lays bare a world of corruption and moral compromise.
Two brothers looking make a quick buck steal a car from the roadside only to find some unexpected cargo in Stop the Car, a slick moral drama.
A young girl must wrangle a drunken father and a new step-mother in Hello Mother, Byambasuren Ganbat’s charmingly comedic and utterly earnest Mongolian melodrama.
Gender identity, freedom and grief all become entwined in Life After a Lifetime and Endless Rebirths, Leart Rama’s propulsive and emotive short about a young woman clinging to the memory of her disappeared boyfriend.
Famous indie director, Neil LaBute, is celebrated with a retrospective in Oldenburg.
The meditative wordless documentary, Strange Neighbors, explores the flow of life on a nature-rich island in the River Elbe and the machine of massive industry that otherwise dominates the waterway.
Bob Marley’s friend, lawyer, and fellow Rastafarian is given the spotlight she typically shuns in Miss Jobson, an unhurried and mellow observational documentary.
In Asphalt Guerilla, Edgar Pera tells the tale of a far-left militant group in Portugal as a dense, mile-a-minute essay film that combines fiction, archive, documentary and AI to compelling effect.
Apocalyptic foreboding permeates the gripping short, Living Grounds, told through a series of long takes, as a fatal accident becomes all too personal for someone attending the scene.
Germany’s premiere independent festival, Oldenburg Film Festival, returns for its 33rd edition.