Author: Jay Weissberg

Freaks Out

There’s a reaction shot in Mel Brooks’ The Producers when the open-mouthed audience watches the “Springtime for Hitler” number in shocked disbelief, amazed that something so crass and campy could have made it on Broadway. The...

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Il Buco

The symbiotic relationship between people of the land and their environment is the basis of all Michelangelo Frammartino’s work, most strikingly seen in his 2010 second feature Le Quattro Volte, a surprise international arthouse...

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A Tale of Love and Desire

There are so many good ideas in Leyla Bouzid’s second feature A Tale of Love and Desire, so many rarely-addressed issues deserving attention, that it’s especially frustrating how faintly the sparks fly between her two main...

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Feathers

The distinctive vision that Omar El Zohairy brought to his two prize-wining shorts is much in evidence in his meticulously crafted absurdist feature debut Feathers. It’s amusing to imagine how he pitched the project at the...

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