Kosovo’s Kaltrina Krasniqi makes an impressive feature debut with this beautifully measured drama about a once-compliant 60-something widow who attempts to deflect the malevolent traditional patriarchy in a nation on the edge of change.
Read MoreThe sense of relief that suffused the 62nd Thessaloniki International Film Festival could be felt throughout the city’s repurposed old port, not just in the festival locations but in the favorite bars, restaurants and hangouts...
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Cambodia’s Oscar submission is a semi-autobiographical critique of how the country’s rampant capitalism frays the traditional social fabric, told with sympathy yet short on dynamism.
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Few people outside eastern Nevada will have even heard of White Pine County, a rural area on the...
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