Author: Jay Weissberg

Salem

A powerful, at times remarkable sophomore feature from Jean-Bernard Marlin that takes the usual “Romeo and Juliet” plot, drops it into the projects of Marseille, and then widens its scope with a story of an apocalyptical plague and magical redemption.

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Bread and Roses

Sahra Mani’s raw documentary about the dire situation for women in Afghanistan, as well as those all but abandoned in so-called safe houses across the border, forces Western audiences to pay attention and stop averting their gaze from the Taliban’s reign of terror.

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Pictures of Ghosts

Kleber Mendonça Filho’s poetic docu-essay is a passkey to his previous films as well as a personal reflection on his relationship with Recife and cinephilia, but this terrifically edited meditation is also a more universal ode to the way memories become ghosts that inhabit the physical spaces of our lives.

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The Other Laurens

In his feature-length debut, Claude Schmitz aims to simultaneously pay homage to, and blow up, film noir tropes, and while that’s not exactly the result, his film is a handsome, largely enjoyable play on the genre that becomes a bit too shaggy by the end.

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