Berlinale 2024


Above The Dust

Above The Dust

Wang Xiaoshuai, controversially without an official screening permit, returns to Berlin with another superb picture about Chinese politics (and peasantry) featuring outstanding performances and stellar dialogue.

Who Do I Belong To?

Who Do I Belong To?

A misguided narrative full of ill-thought-out atmospheric twists spoils the cinematic attractions of Tunisian-American Meryem Joobeur’s debut feature about a family torn apart when two sons join Daesh.

Black Tea

Black Tea

The gap between African and Chinese culture proves easier to breach than the perspectives that separate a woman and a man in acclaimed director Abderrahmane Sissako’s ‘Black Tea’, a fascinating love story set in China but one that sadly gets lost in the telling.

Cu Li Never Cries

Cu Li Never Cries

Vietnamese filmmaker Pham Ngoc Lan’s first feature, ‘Cu Li Never Cries’, is an absorbing, beautiful ode about a pensioner’s nostalgia for her past and a young couple’s uncertainty about their future.

Rising Up at Night

Rising Up at Night

Nelson Makengo’s beautifully shot and observed documentary ‘Rising Up at Night’ captures the darkness of Kinshasa after severe flooding and electricity cuts, along with the resilience of its people.

Intercepted

Intercepted

Ukrainian director Oksana Karpovych’s quietly powerful documentary ‘Intercepted’ combines bleakly beautiful, defiantly hopeful images of her war-ravaged homeland with recordings of phone calls made by invading Russian soldiers.

Awards Corner

Berlinale 2024

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