Finally Dawn

Finalmente l'alba

Joe Keery, Rebecca Antonaci, Willem Dafoe

VERDICT: Saverio Costanzo’s use of “La Dolce Vita” for a 1950s loss-of-innocence story set in Rome’s film world feels locked in its period charms, and despite excellent performances fails to resonate beyond the surface.

Oh the pitfalls of rendering homage to La Dolce Vita! Use it right, to show the ocean of moral lassi
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