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John Krasinski’s sledgehammer whimsy kills whatever charm this celebration of childhood imagination might have possessed.
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Posted by Alonso Duralde | May 17, 2024 | Featured |
John Krasinski’s sledgehammer whimsy kills whatever charm this celebration of childhood imagination might have possessed.
Read MorePosted by Alonso Duralde | May 16, 2024 | Cannes 2024, Spotlight |
Fails to meet the impossible task of matching, let alone surpassing, its legendary predecessor, but George Miller’s action sequences still pack a punch, even when they reek of déjà vu.
Read MorePosted by Alonso Duralde | May 8, 2024 | Spotlight |
If there’s a valid reason to return to this simian franchise, this latest entry never finds it, despite the craftsmanship on display.
Read MorePosted by Alonso Duralde | May 1, 2024 | Spotlight |
This valentine to action-packed moviemaking works best when it ignores the plot and focuses on stunt craft and the explosive rom-com banter between Ryan Gosling and Emily Blunt.
Read MorePosted by Alonso Duralde | Apr 18, 2024 | Festivals |
Guy Ritchie displays his usual skill at stylized violence, cheeky repartee, and bespoke costuming, but the build-up in this WWII action saga outshines the climax.
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