Michel Hazanavicius’s (‘The Artist’) long-cherished animation project ‘The Most Precious of Cargoes’, bowing in Cannes competition, nimbly combines a classic, grim fairy tale with the horrors of the Holocaust in a well-made but sentimental tale whose audience is unclear.
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Dissident filmmaker Mohammad Rasoulof denounces the bloody repression of protests by Iranian authorities and the Revolutionary Guard in ‘The Seed of the Sacred Fig’, his most angrily outspoken film yet.
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Another genre-bending fantasy from Portuguese director Miguel Gomes, ‘Grand Tour’ takes the viewer on a dreamy ride through colonial Asia in 1918, though the present day often pushes through the whimsical story of two characters chasing each other across Asia.
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In the lush ‘Parthenope’, which he has called his first “feminine epic”, Paolo Sorrentino captures the passion and decadence, the misery, tragedy and baroque riches of his native Naples.
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Ali Abbasi’s portrait of a young monster, ‘The Apprentice’, wisely chooses a humorous key in which to chronicle Donald Trump’s formative years as a businessman and how lawyer Roy Cohn helped his empire get its crooked start, though well-informed viewers will find nothing much new.
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