Russian history whips by onscreen in Olivier Assayas’s often fascinating, at times clumsy English-language drama ‘The Wizard of the Kremlin,’ detailing the rise of Putin (Jude Law) and authoritarian power through the eyes of a brilliant, unscrupulous young ideologue.
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Digging deep into Naples’ past, Italy’s premier documentarian Gianfranco Rosi (‘Sacro GRA’; ‘Notturno’) struggles to turn the city into a metaphor for time, history, and the human condition in ‘Below the Clouds’.
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A farcical crimefest with a dark side, Park Chan-wook’s ‘No Other Choice’ amplifies the inhumanity of modern industry and the utter ruthlessness of salaried work in an engaging film full of unexpected twists.
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Toni Servillo shines in a memorable, tragi-comic performance as the president of Italy in Paolo Sorrentino’s crowd-pleasing Venice opener ‘La Grazia’, an often funny, sometimes moving tale of the Numero Uno’s loneliness, inner doubts and obsessions and his inability to make up his mind on difficult legislation like euthanasia.
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