Freda
Gessica Geneus’s debut feature is a superb meditation on sisterhood, motherhood, and what it means to love a failing nation.
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Posted by Oris Aigbokhaevbolo | Jan 28, 2022 | Festivals, Rotterdam |
A little lie to the police threatens to change a teenager’s life in Sam De Jong’s insightful and sometimes distractingly overdriven film.
Read MorePosted by Oris Aigbokhaevbolo | Jan 27, 2022 | Festivals, Rotterdam |
Brett Michael Innes’ third film, set mostly at a gym in Johannesburg, goes down easy and would be fun for the family—as long as you keep the kids away.
Read MorePosted by Oris Aigbokhaevbolo | Jan 26, 2022 | Cannes, Festivals, London, Spotlight, Sundance, Toronto |
This frequently perplexing sci-fi musical has a lot to say about the politics of race, but its true triumph is its music and gorgeous visuals.
Read MorePosted by Oris Aigbokhaevbolo | Jan 26, 2022 | Festivals, Sundance |
This involving documentary captures the plight of the Uru-eu-wau-wau community fighting for its land in the Amazon.
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