Weightless
Sara Fgaier’s feature debut is an account of love and loss that retains a poetic fragmentary appeal, while concealing a more powerful tale.
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Posted by Oris Aigbokhaevbolo | Aug 11, 2024 | Festivals, Locarno 2024 |
Sara Fgaier’s feature debut is an account of love and loss that retains a poetic fragmentary appeal, while concealing a more powerful tale.
Read MorePosted by Oris Aigbokhaevbolo | May 23, 2024 | Cannes 2024, Spotlight |
In ‘Beating Hearts’, Gilles Lellouche has produced a gorgeous film that is an epic rumination on love, revenge, class, and the inescapable pull of a certain kind of romance.
Read MorePosted by Oris Aigbokhaevbolo | May 21, 2024 | Festivals, Cannes 2024 |
Low on laughs and with a thin plot, Christophe Honore’s ‘Marcello Mio’ is a quirky tribute to one of European cinema’s most famous filial relationships.
Read MorePosted by Oris Aigbokhaevbolo | May 20, 2024 | Cannes 2024, Featured |
Boris Lojkine’s tale of a Guinean immigrant in France, ‘The Story of Souleymane’, is a vigorously edited piece of cinema with an outstanding performance by first-time actor Abou Sangare.
Read MorePosted by Oris Aigbokhaevbolo | May 17, 2024 | Cannes 2024 |
The Richard Gere-Cannes starrer ‘Oh, Canada’ gives us good and bad Paul Schrader in its dry tautness and weirdly unsatisfactory ending.
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