I Do Not Come To You By Chance
The cast shines, but this adaptation of the popular Nigerian novel could use a little more life.
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Posted by Oris Aigbokhaevbolo | Jan 30, 2024 | Festivals, Featured, Rotterdam 2024 |
The cast shines, but this adaptation of the popular Nigerian novel could use a little more life.
Read MorePosted by Oris Aigbokhaevbolo | Jan 23, 2024 | Sundance 2024, Festivals, Spotlight |
Johan Grimonprez’s complex, cacophonous ‘Soundtrack to a Coup d’Etat’ is a feat of design, narration, sound, and cinema about an important chapter in Congo’s tragic relationship with the UN, the U.S., and Belgium.
Read MorePosted by Oris Aigbokhaevbolo | Jan 23, 2024 | Sundance 2024, Festivals |
In ‘Sebastian’, Mikko Mäkelä presents a frank and graphic portrait of a writer as a young sex worker in literary London.
Read MorePosted by Oris Aigbokhaevbolo | Jan 22, 2024 | Sundance 2024, Festivals |
Thea Hvistendahl’s half-Stephen King, half-Kafka first feature, ‘Handling the Undead’, is a confident three-pronged narrative on the irreversibility of death.
Read MorePosted by Oris Aigbokhaevbolo | Jan 19, 2024 | Festivals, Sundance 2024 |
Daniel Hoesl and Julia Niemann’s ‘Veni, Vidi, Vici’ is an incredibly clear-eyed take on the absolute power the rich have in a capitalist society.
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