How is Katia?
A Ukrainian paramedic wrestles with personal tragedy and public injustice in Christina Tynkevych’s powerful, prize-winning fiction-feature debut ‘How is Katia?’
Read MorePosted by Stephen Dalton | Nov 11, 2022 | Festivals, THESSALONIKI 2022 |
A Ukrainian paramedic wrestles with personal tragedy and public injustice in Christina Tynkevych’s powerful, prize-winning fiction-feature debut ‘How is Katia?’
Read MorePosted by Stephen Dalton | Nov 10, 2022 | Festivals, THESSALONIKI 2022 |
A Greek-Cypriot family fall apart against a backdrop of terrorism and racial tension in ‘Iman’, a glossy thriller from writer-director duo Corinna Avraamidou and Kyriacos Tofarides
Read MorePosted by Stephen Dalton | Nov 10, 2022 | Festivals, THESSALONIKI 2022 |
Director Ehab Tarabieh’s debut fiction feature ‘The Taste of Apples is Red’ is a brooding slow-burn thriller about long-buried family secrets returning to haunt a close-knit Druze village in the Golan Heights.
Read MorePosted by Stephen Dalton | Nov 9, 2022 | Featured, Festivals, International Oscars 2024, THESSALONIKI 2022 |
A grieving family struggle to move beyond tragedy in Martijn de Jong’s poetically filmed debut feature ‘ Narcosis’, the official Dutch submission to the Oscars.
Read MorePosted by Stephen Dalton | Nov 7, 2022 | Festivals, THESSALONIKI 2022 |
Director Spiros Stathoulopoulos reimagines the ancient Greek drama ‘Electra’ as a World War II revenge thriller in ‘Cavewoman’, a boldly experimental mix of close-up acting and rich sound design.
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