Thessaloniki

LOST FLOWERS still Lost Flowers

Lost Flowers

In his diaristic portrait of grief during the isolation of lockdown, Fabrizio Maltese has crafted a personal documentary full of universal poignancy.

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Drive My Car Drive My Car

Drive My Car

Winner of the Academy Award for best international feature, Japanese director Ryusuke Hamaguchi’s ‘Drive My Car’ is the story of how love survives death in a long, measured, ultimately mesmerizing examination of the human soul.

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Holy Emy Holy Emy

Holy Emy

A young Filipino immigrant in Greece with special healing powers is the focus of Araceli Lemos’ assured drama delving into questions of spirituality, belonging and sisterly bonds with a distinctively creepy edge.

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Moneyboys 3 Moneyboys

Moneyboys

A high-end gay sex worker in China longs for the family affection he felt as a child in C.B. Yi’s beautifully crafted if not always satisfying debut that showcases the talents of actor Kai Ko.

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Sisterhood 1 Sisterhood

Sisterhood

The hypocrisy of high school slut-shaming is the core theme of this strong feature debut boasting two exceptional performances and a layered script that’s distinctly Macedonian but with international resonance.

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Vera Dreams of the Sea

Kosovo’s Kaltrina Krasniqi makes an impressive feature debut with this beautifully measured drama about a once-compliant 60-something widow who attempts to deflect the malevolent traditional patriarchy in a nation on the edge of change.

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Thessaloniki 2021: The Verdict

The sense of relief that suffused the 62nd Thessaloniki International Film Festival could be felt throughout the city’s repurposed old port, not just in the festival locations but in the favorite bars, restaurants and hangouts of the cinema crowd who palpably relished their return to a beloved city. Let’s be honest: San Sebastián and Thessaloniki...
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