Chuck Chuck Baby
Debut director Janis Pugh’s off-beat musical rom-com ‘Chuck Chuck Baby’ is a rough-edged but warm-hearted celebration of working-class dreamers and queer liberation.
Toronto
Subtraction
Two of Iran’s biggest actors, Taraneh Alidoosti and Navid Mohammadzadeh, play double roles in Mani Haghighi’s chilling, fast-paced thriller with allegorical overtones about life in contemporary Iran.
A Long Break
Years of guilt and shame are exorcised in Davit Pirtskhalava’s stagy drama tracking the aftershocks of bullying.
The Gravity
Social tensions and strange cosmic disturbances collide in French director Cédric Ido’s imperfect but admirably ambitious genre-blurring thriller ‘The Gravity’.
A Man Of Reason
Jung Woo-sung’s accomplished directorial debut is a South Korean actioner brimming with inventive flash that marks him as a filmmaker to watch.
The Fabelmans
Steven Spielberg solidifies his legendary origin story playing with truth, fiction, and the magic of moviemaking.
Daughter of Rage
Laura Baumeister’s feature debut is a critical and compassionate portrait of lives on the precarious edge of Nicaraguan society.
I Like Movies
A caustically funny and sharply perceptive portrait of adolescence and the toxic perils of obsessive cinephilia.
Vicenta B.
Director Carlos Lechuga sends a powerful farewell letter to a country adrift in depression and despair in this heartbreaking chronicle of the post-Cuban revolution.
The Listener
Steve Buscemi makes a rare return to directing for ‘The Listener’, starring Tessa Thompson, a well-meaning but slender single-person drama about hurting and healing in a post-Covid world.
Neptune Frost
This frequently perplexing sci-fi musical has a lot to say about the politics of race, but its true triumph is its music and gorgeous visuals.
The Worst Person in the World
An insightful exploration of youth, ambition, romance, and meaning through the lens of a young woman you both identify with and love to hate.
Drive My Car
Winner of the Academy Award for best international feature, Japanese director Ryusuke Hamaguchi’s ‘Drive My Car’ is the story of how love survives death in a long, measured, ultimately mesmerizing examination of the human soul.
A Night of Knowing Nothing
A haunting low-fi meditation on memory, social class and political protest that won the Golden Eye documentary award at this year’s Cannes Film Festival.
Huda’s Salon
Hany Abu-Assad’s best work toys with questions of moral absolutes, yet his dissatisfying “Huda’s Salon” is hamstrung by a weak script and ill-advised editing choices that fail to build characters or tension, despite an interesting premise.
Where Is Anne Frank
‘Waltz with Bashir’ director Ari Folman’s animated adaptation of Anne Frank’s diary makes some valid points but takes a few too many creative liberties.
The Middle Man
A small-town misfit takes a new job breaking bad news to bereaved families in Bent Hamer’s droll, elegantly filmed tragicomedy The Middle Man.
Silent Land
A wealthy young Polish couple are forced to confront their own moral bankruptcy during a luxury Italian vacation in Silent Land, Aga Woszczy?ska’s elegantly bleak exploration of First World Problems.
Miracle
There are two movies in Miracle, Bogdan George Apetri’s uneven, beautifully shot drama divided between a young religious novice’s ordeal when seeking an abortion and the police investigation that follows her brutal rape. The first part, characterized by an admirable discretion and an exceptional central performance, uses an elusive premise to excellent effect, but the...
Read more