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VERDICT: Kleber Mendonça Filho’s poetic docu-essay is a passkey to his previous films as well as a personal reflection on his relationship with Recife and cinephilia, but this terrifically edited meditation is also a more universal ode to the way memories become ghosts that inhabit the physical spaces of our lives.
There’s a memorable scene in Kleber Mendonça Filho’s magnificent Aquarius where an older woman