Marx Can Wait
The most fascinating aspect of Marco Bellocchio’s guilt-streaked revisitation of the suicide of his twin brother in 1968 is the insight it offers into the Italian master’s creative font–his own family.
Read MorePosted by Deborah Young | Jan 6, 2022 | Festivals, IDFA |
The most fascinating aspect of Marco Bellocchio’s guilt-streaked revisitation of the suicide of his twin brother in 1968 is the insight it offers into the Italian master’s creative font–his own family.
Read More