Marx Can Wait
The most fascinating aspect of Marco Bellocchio’s guilt-streaked revisitation of the suicide of his twin brother in 1968 is the insight it offers into the Italian master’s creative font–his own family.
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Posted by Deborah Young | Jan 6, 2022 | Festivals, IDFA |
The most fascinating aspect of Marco Bellocchio’s guilt-streaked revisitation of the suicide of his twin brother in 1968 is the insight it offers into the Italian master’s creative font–his own family.
Read More