Maria
Pablo Larraín’s third portrait of the private pain of a public woman exists most effectively as a platform for Angelina Jolie’s diva-as-diva performance.
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Posted by Alonso Duralde | Aug 29, 2024 | Spotlight, Venice 2024 |
Pablo Larraín’s third portrait of the private pain of a public woman exists most effectively as a platform for Angelina Jolie’s diva-as-diva performance.
Read MorePosted by Jay Weissberg | Sep 2, 2023 | Festivals, VENICE 2023 |
Stefano Sollima delivers the kind of gritty, testosterone-driven underworld drama we’ve come to expect, boasting exceptional performances and location work, but a highly problematic undercurrent of homophobia can’t be brushed under the soiled carpet.
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