Here
Robert Zemeckis’ fixed-camera observation of the passage of time is a slick and profoundly shallow movie aching for depth.
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Author: Alonso Duralde
Venom: The Last Dance
Nothing means anything in the conclusion of Tom Hardy’s comic-book trilogy, which makes it either a complete waste of time or a superhero movie in its purest form.
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Exhibiting Forgiveness
In his feature-film debut, painter Titus Kaphar exhibits his talents as a visual artist, if not as a screenwriter.
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Saturday Night
Jason Reitman’s print-the-legend look behind the scenes of the birth of a legendary comedy TV fixture succeeds on its breathless “let’s put on a show” energy.
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White Bird
This platitude-heavy infomercial for kindness benefits from strong performances and handsome production design.
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