Author: Alonso Duralde

Ferrari

In his first feature film in eight years, director Michael Mann passionately captures a life where the drive for success and the threat of disaster were intricately intertwined.

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El Conde

In El conde, Pablo Larraín’s darkly comic horror-satire reveals that turning a real-life monster into the protagonist of his own monster movie is an effective way to process historical tragedy.

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Bottoms

This queer comedy remains uncompromisingly outrageous and hilarious from start to finish, and if it’s too weird to be a box-office smash, then it has the makings of a future cult classic.

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