EO
Polish auteur Jerzy Skolimowski’s mix of beauty and bombast makes a donkey of a promising premise of making audiences observe a chaotic, cruel world through a braying animal’s eyes.
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Posted by Clarence Tsui | May 19, 2022 | Cannes, Cannes 2022, Cannes Marché du Film, Festivals, International Oscars 2024 |
Polish auteur Jerzy Skolimowski’s mix of beauty and bombast makes a donkey of a promising premise of making audiences observe a chaotic, cruel world through a braying animal’s eyes.
Read MorePosted by Clarence Tsui | May 19, 2022 | CANNES 2022, Festivals |
A fiery and timely reflection about a dark episode in French history at the risk of being written out of the books with the normalisation of far-right politics in the country.
Read MorePosted by Clarence Tsui | Feb 16, 2022 | Berlin, Festivals, Spotlight |
Hong Sang-soo’s 27th feature, and his third in competition in Berlin in as many years, offers his trademark acerbic humor, anchored by veteran Korean actress Lee Hye-young’s caustic turn as an embittered writer.
Read MorePosted by Clarence Tsui | Feb 13, 2022 | Berlin, Festivals |
Japanese filmmaker Emma Kawawada takes the humanist cue from her mentor, Hirokazu Kore-eda, and adapt it to her warm and engaging directorial debut, in which a Kurdish-born Japanese teenager struggles to keep her life and dreams afloat when the authorities threaten to deport her family from the country.
Read MorePosted by Clarence Tsui | Feb 13, 2022 | Berlin, Festivals, Spotlight |
An anonymous collective of Burmese filmmakers delivers a powerful statement of defiance against the murderous military dictatorship that overthrew Aung San Suu Kyi’s democratically elected government on February 1, 2021.
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