Director Emily Atef’s Berlin world premiere about a teenage girl’s forbidden love for an abusive older man, ‘Someday We’ll Tell Each Other Everything’ is beautifully filmed but fifty shades of boring.
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Prize-winning Hungarian director duo Tibor Bánóczki and Sarolta Szabó foresee a bleak future for humankind in their visually striking debut feature ‘White Plastic Sky’, an animated eco-disaster movie with a lyrical fairy-tale edge.
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Opening the Berlin film festival, Rebecca Miller’s quirky New York rom-com ‘She Came to Me’ feels creaky and clumsy in places, but is saved by its fine cast and off-beat charm.
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As it finally returned from Covid-19 limbo under new artistic director Vanja Kaludjercic, the Dutch film festival reaffirmed its core mission to promote fresh, socially conscious, culturally rich cinema.
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Prize-winning French novelist Alice Zeniter makes a confident directing debut with ‘Before the Collapse’, a lively mystery drama about bed-hopping bohemians in emotional crisis.
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