Under a Blue Sun
Set in the Negev Desert where action blockbuster ‘Rambo III’ was shot, ‘Under a Blue Sun’ is an intricately layered doc scrutinising the intersection of war simulation, oppression and entertainment.
Set in the Negev Desert where action blockbuster ‘Rambo III’ was shot, ‘Under a Blue Sun’ is an intricately layered doc scrutinising the intersection of war simulation, oppression and entertainment.
Raingou’s first feature, ‘Le spectre de Boko Haram’, is a moving documentary that views the horrors of terrorism through the eyes of children.
As it finally returned from Covid-19 limbo under new artistic director Vanja Kaludjercic, the Dutch film festival reaffirmed its core mission to promote fresh, socially conscious, culturally rich cinema.
Mixing the personal with the political, the Dutch festival made a strong post-pandemic comeback with prize-winning films on Islamist terror, border tensions, jailed teenagers and tender pregnancy dilemmas.
Prize-winning French novelist Alice Zeniter makes a confident directing debut with ‘Before the Collapse’, a lively mystery drama about bed-hopping bohemians in emotional crisis.
Acclaimed Iranian director Masoud Kimiai pours cinematic rage into his recreation of a 1952 politically-motivated bank robbery that resonates with the protests of today.
A murder investigation in Namibia is haunted by echoes of colonial genocide in Perivi John Katjavivi’s flawed but intriguing supernatural crime thriller ‘Under The Hanging Tree’
A sensitive, intricately layered and hand-crafted portrait of mountain life in northern Albania, women’s labour and ancient laws.
This entertaining rom-com offers a freshly subversive, anti-bourgeois twist on the genre, as a pastor and politician in Helsinki open up their marriage to non-monogamy.
A couple reflect on a failed pregnancy in the midst of the pandemic in Monica Lima’s tactile and delicate drama about the desire to nurture and propagate.
An outlandish, radical trip inside Portuguese poet Fernando Pessoa’s mind, gorgeously realised as a mysterious office of alter-egos and clacking typewriters.
A young Danish woman mysteriously vanishes in director Martin Skovbjerg’s smart, stylish blend of sensual romantic drama and moody suspense thriller ‘Copenhagen Does Not Exist’.
A cynical private detective becomes enthralled by a woman he is been paid to surveil in this unconventional and tender tale based on Juan Saenz Valiente’s graphic novel.
An oblique, inventive anatomy of an investigation and execution in ‘90s Ukraine, and a legacy of Soviet violence passed down to today’s generation.
An ageing footballer reflects on his career in this layered rumination on the nature of the beautiful game adapted from the filmmaker’s own short story.
The Oscar-winning director and Turner prize-winning artist draws parallels between Hollywood’s historic racism and his own father’s lived experience in his latest cinematically huge art-work ‘Sunshine State’.
Actor-director duo Artemis Shaw and Prashanth Kamalakanthan make inventive use of vintage lo-fi video technology for ‘New Strains’, a slight but hugely charming pandemic rom-com.
Banishments cannot stave off knowledge in this visually bold fable about a colony of children insulated from death and memory.
The black-humoured snapshot of a disorderly Georgian seaside community where love and crime bring scant reward.
An isolated Danish family encounter spooky doubles of themselves in ‘Superposition’, a twist-heavy psycho-thriller from first-time feature director Karoline Lyngbye.
Jolinde den Haas is the innovative project manager of IFFR Pro immersive, a festival showcasing the most unique and interesting new immersive narrative experiences.
A couple’s farewell dinner in Hanover descends into chaos in this pandemic-era portrait, with a political sting in its tail, of an anxious, divided generation.
Sound and images captured during several years of documentary making form the basis for this haunting essayistic meditation on fear and its effects.
A runaway tiger means extra trouble for a strife-torn married couple in Romanian director Andrei Tanase’s engaging but slight feline chase drama ‘Day of the Tiger’.
Rotterdam’s artistic director savors her first in-person festival with films from Japan, India, Indonesia and even a superhero movie.
The 52nd IFFR kicks off its first full-scale, physical edition since the pandemic, amid heightened industry scrutiny after a controversial restructure.
The filmmaker touches on the challenges of making a film about revered Norwegian painter Edvard Munch and his iconic painting, ‘The Scream’.