Handling The Undead
Thea Hvistendahl’s half-Stephen King, half-Kafka first feature, ‘Handling the Undead’, is a confident three-pronged narrative on the irreversibility of death.
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Posted by Oris Aigbokhaevbolo | Jan 22, 2024 | Sundance 2024, Festivals |
Thea Hvistendahl’s half-Stephen King, half-Kafka first feature, ‘Handling the Undead’, is a confident three-pronged narrative on the irreversibility of death.
Read MorePosted by Oris Aigbokhaevbolo | Jan 19, 2024 | Festivals, Sundance 2024 |
Daniel Hoesl and Julia Niemann’s ‘Veni, Vidi, Vici’ is an incredibly clear-eyed take on the absolute power the rich have in a capitalist society.
Read MorePosted by Oris Aigbokhaevbolo | Nov 12, 2023 | IDFA 2023, Festivals |
Melissa Thackway and Biljana Tutorov, jury members for the Beeld en Geluid IDFA ReFrame Award at IDFA 2023, join TFV’s Oris Aigbokhaevbolo, the jury’s third member, in a discussion about the evolution of archives and the festival’s controversial opening night.
Read MorePosted by Oris Aigbokhaevbolo | Sep 3, 2023 | VENICE 2023, Festivals |
Hungarian director Dorka Vermes’ feature debut ‘Arni’ is a slow-burn slice-of-life drama with an exceptional lead performance from newcomer Peter Turi.
Read MorePosted by Oris Aigbokhaevbolo | Aug 11, 2023 | Festivals, Locarno 2023 |
Estonian director Rainer Sarnet’s ‘The Invisible Fight’ is an idiosyncratic tale featuring monks, metal rock, and a manically superb performance from Ursel Tilk.
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