The Creator
While lovely to look at, Gareth Edwards’ latest doesn’t make the case for why we should stop worrying and learn to love AI.
While lovely to look at, Gareth Edwards’ latest doesn’t make the case for why we should stop worrying and learn to love AI.
Australian writer-director Kitty Green takes a hellish holiday in the badlands of toxic masculinity with her punchy feminist Outback thriller 'The Royal Hotel'.
Celebrating the natural cycles of life in women’s ever-changing bodies, Jaione Camborda’s second feature 'The Rye Horn' is a moving period drama that touches on abortion laws in 1971 Spain.
A young woman must deal with the physical and psychological bruises of a sexual assault in Shaylee Atary’s powerful dramatic short, Single Light.
Germany's premiere festival platform for rule-breaking indie cinema celebrated its 30th edition with audacious acid-punk UFO comedies, bleak kidnap thrillers and a ground-breaking peek into the multiverse.
CINE VERDICT: Después de su inquietante pero bien recibido thriller `Sundown`, el director mexicano Michel Franco , continúa con `Memoria` un drama familiar-romance dibujado con plantilla , actuado por Jessica Chastain en el papel de una trabajadora social emocionalmente afectada, en Brooklyn.
Orlando, el extravagante manifiesto del director debutante Paul B. Preciado empuja los límites de los géneros masculino/femenino y también de los cinematográficos.