Maria
Pablo Larraín’s third portrait of the private pain of a public woman exists most effectively as a platform for Angelina Jolie’s diva-as-diva performance.
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Posted by Alonso Duralde | Aug 29, 2024 | Spotlight, Venice 2024 |
Pablo Larraín’s third portrait of the private pain of a public woman exists most effectively as a platform for Angelina Jolie’s diva-as-diva performance.
Read MorePosted by Kevin Jagernauth | Sep 13, 2023 | Festivals, Toronto 2023 |
Temperatures rise but drama stays stuck in this hellish, apocalyptic vision of Rome.
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