Tag: Venice Film Festival 2023

Adagio

Stefano Sollima delivers the kind of gritty, testosterone-driven underworld drama we’ve come to expect, boasting exceptional performances and location work, but a highly problematic undercurrent of homophobia can’t be brushed under the soiled carpet.

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Finally Dawn

Saverio Costanzo’s use of “La Dolce Vita” for a 1950s loss-of-innocence story set in Rome’s film world feels locked in its period charms, and despite excellent performances fails to resonate beyond the surface.

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