Verdict Shorts

Affirming our commitment to review the finest of world cinema regardless of length, The Film Verdict’s Short Films column is a unique feature that recognizes the growing influence of shorts on the film industry and the role they play in the careers of young filmmakers in particular. The reviews are curated by London-based critic Ben Nicholson (ben@thefilmverdict.com), whose expert opinions have appeared in Sight & Sound, MUBI Notebook, Little White Lies and Hyperallergic. He has programmed for Sheffield DocFest and the London Short Film Festival and in 2019 founded ALT/KINO, which screens and publishes writing about experimental film. He is the artistic director of the Alpha Film Festival, the first shorts festival in the metaverse.

Abyss

Abyss

In partnering with Google’s Image Recognition AI, Jeppe Lange has constructed a 100mph frenzy of match-cutting that is strange, rhythmic and at times somewhat profound.

Heroines

Heroines

Communal mythologies and the importance of historical forebears are explored in Marina Herrera’s quietly humorous hybrid documentary about a rebellious Indigenous woman.

Haulout

Haulout

Evgenia and Maxim Arbugaeva’s astonishing documentary captures the annual arrival of thousands of walruses on a remote beach in the Russian Arctic in awesome intimacy.

Trap

Trap

Anastasia Veber’s prize-winning drama is an evocative exploration of the lives of young people in contemporary Russia caught between aggression and eroticism, isolation and intimacy.

Dragon Tooth

Dragon Tooth

Through colourful, chemically contaminated found footage, Rafael Castanheira Parrode evocatively excavates the trauma of the 1987 radioactivity disaster in Goiânia, Brazil.

Dirndlschuld

Dirndlschuld

Super 8 footage of an idyllic holiday destination provides the serene surface for Wilbirg Brainin-Donnenberg’s probe into the darker elements of history both political and personal.

Agrilogistics

Agrilogistics

Gerard Ortín Castellví’s film about the mechanised standardisation of plant products in an industrial greenhouse is both hypnotic and unsettling; meticulous documentary and dreamlike fantasy.

Kumbuka

Kumbuka

Petna Ndaliko Katondolo’s documentary is a multifaceted exploration of complex questions around the combating of European perspectives in cinema about Africa.

Constant

Constant

Sasha Litvintseva and Beny Wagner’s new essay film is a heady examination of the history, impacts, and social equality of standardised measurement.