Affirming our commitment to review the finest of world cinema regardless of length, The Film Verdict’s Short Films column is a unique feature that recognizes the growing influence of shorts on the film industry and the role they play in the careers of young filmmakers in particular. The reviews are curated by London-based critic Ben Nicholson (ben@thefilmverdict.com), whose expert opinions have appeared in Sight & Sound, MUBI Notebook, Little White Lies and Hyperallergic. He has programmed for Sheffield DocFest and the London Short Film Festival and in 2019 founded ALT/KINO, which screens and publishes writing about experimental film. He is the artistic director of the Alpha Film Festival, the first shorts festival in the metaverse.
Liquid Bread
An offbeat comedy about family dysfunction ultimately becomes a touching examination of how we deal with scars left on us by our histories.
The Pass
Pepi Ginsberg’s riveting drama tackles the combustible nature of repressed sexuality when a spot of wild swimming takes an unexpectedly dangerous turn.
On Xerxes’ Throne
The outlawing of physical contact creates a cauldron of unexpressed sensuality for the burnished and browbeaten shipyard workers of Evi Kalogiropoulou’s eerie dystopian short.
Will You Look At Me
Shuli Huang’s intensely personal and moving diary film is like a heart-wrenching exploration of – and possibly coda to – his relationship with his mother.
Amo
Emmanuel Gras’ aesthetically minded short is an abstract vision that blends planetary movement and physical intimacy, playfully meditating on where exactly we come from.
When There Is No More Music To Write, and other Roman Stories
Éric Baudelaire riffs on the music and musical sensibility of Alvin Curran in this absorbing archival documentary about the revolutionary fervour of mid-century Rome.
Congress of Idling Persons
In this collaborative rumination on the nature and limits of political protest, Bassem Saad weaves together performance, found footage, and on-screen text with playful results.
Mangrove School
Filipa César and Sónia Vaz Borges explore the decolonising power of education in this tale of rebellious scholarship in the tangle of Guinea-Bissau’s mangrove swamps.
Study of a Fight
A simple premise yields increasingly complex results in Marie Suul Brobakke’s dissection of a romantic relationship between two actors rehearsing a scene.
Abyss
In partnering with Google’s Image Recognition AI, Jeppe Lange has constructed a 100mph frenzy of match-cutting that is strange, rhythmic and at times somewhat profound.
Heroines
Communal mythologies and the importance of historical forebears are explored in Marina Herrera’s quietly humorous hybrid documentary about a rebellious Indigenous woman.
Haulout
Evgenia and Maxim Arbugaeva’s astonishing documentary captures the annual arrival of thousands of walruses on a remote beach in the Russian Arctic in awesome intimacy.
It’s Raining Frogs Outside
Apocalypse anxiety, discomfort in the childhood home, and the effects of enforced isolation make for a heady brew in Maria Estela Paiso’s multimedia fever dream.
North Terminal
A new documentary from Lucrecia Martel explores communal creativity and expressive performance by bringing together marginalised artists in the north of Argentina.
Trap
Anastasia Veber’s prize-winning drama is an evocative exploration of the lives of young people in contemporary Russia caught between aggression and eroticism, isolation and intimacy.
Memoir of a Veering Storm
This grainy, tender, and contemplative film by Sofia Georgovassili approaches a potentially traumatic coming-of-age drama through a fable-like, quotidian lens.
Memories of the Eastern Front
The truth lies in the spaces between recorded history in Radu Jude and Adrian Cioflânc?’s austere and through-provoking silent documentary.
Dragon Tooth
Through colourful, chemically contaminated found footage, Rafael Castanheira Parrode evocatively excavates the trauma of the 1987 radioactivity disaster in Goiânia, Brazil.
Dirndlschuld
Super 8 footage of an idyllic holiday destination provides the serene surface for Wilbirg Brainin-Donnenberg’s probe into the darker elements of history both political and personal.
Agrilogistics
Gerard Ortín Castellví’s film about the mechanised standardisation of plant products in an industrial greenhouse is both hypnotic and unsettling; meticulous documentary and dreamlike fantasy.