a river holds a perfect memory
Tying together disparate locations in Northern England and Jamaica, Hope Strickland’s evocative boat ride, ‘a river holds a perfect memory,’ explores the interrelations between labour, memory and rivers.
Tying together disparate locations in Northern England and Jamaica, Hope Strickland’s evocative boat ride, ‘a river holds a perfect memory,’ explores the interrelations between labour, memory and rivers.
Ostensibly about the preservation of an ancient language, Eva Giolo’s essay film ‘Memory Is an Animal, It Barks with Many Mouths’ combines linguistics with landscape and myth to captivating effect.
This Marker-esque monochrome photomontage adapts its protagonist’s docufiction memoir into a slyly funny sketch of a struggling actor in contemporary Tbilisi.
Traditional fruit cultivation becomes a source of archival fascination in Common Pear, a sci-fi documentary hybrid set amidst environmental collapse.
The third work in Lawrence Lek’s trilogy on disobedient driverless cars, Empty Rider explores autonomy and responsibility through a futuristic AI show trial.
A mother and her young son’s relationship is pushed to the limit in Teta, an unnerving psychological horror with disquieting, supernatural overtones.
How we consume images and what it means to be a distant onlooker lie at the heart of Miranda Pennell’s sobering, analytical short, Man Number 4.
The stories of three very different women intersect in May Ghouti’s delicate ensemble drama The Chant, which manages to pack a quietly emotional punch.
Malena Szlam uses in-camera editing to craft Archipelago of Earthen Bones – To Bunya, an evocative 16mm exploration of Australia’s vast central eastern ranges and their deep geological time.
Peter Ghesquiere channels Wes Anderson in Manual for a Divorce, a mannered short comedy about a couple who are separated when their children get a divorce.
An elderly man savours the small things on what might be his final day alive in Antonin Bonnot’s patient and touching short, At Dawn.
A checkpoint stop en route to Tehran leads to a young boy being held for drug possession. A moral quandary ensues in the emotive short, Alone Together.
Two young children are left to find their own way when their father commits suicide in Diego Gaxiola’s poignant magical realist short, Nostalgia of a (Still) Alive Heart.
A woman in smalltown Montana has a near miss with a serial killer but becomes obsessed with being his victim the dark, absorbing drama – Bits.
A young woman confronts her true self in the mirror in this beautifully shot and symbolic evocation of an individual’s transition from female to male in Leo Behrens’ Skin.
Coming of age is tough in Almost Certainly False, a deft exploration of identity and duty in the life of a young Syrian immigrant dreaming of leaving Istanbul for Europe.
Three Keenings is a darkly comic character portrait depicts an actor presenting a facsimile of grief that is a thin veneer over the real thing waiting to erupt.
Claudia Varejao’s experimental documentary, Kora, is a soulful glimpse into the lives of female refugees and the power of photographs in connecting diasporas with home.
A closed, patriarchal community begins to transform as the cries of a legendary forest beast foreshadow social revolution in the spirited short, The Poison Cat.
The surrealism of images created by artificial intelligence evokes the unreliability of memory and elusive nature of a dystopian plague in the sci-fi short, ‘The Eggregores Theory’.
A father and son heading home from football practice face the realities of bureaucracy and the lure of migration in Samir Karahoda’s finely tuned short, On the Way.
A passenger train witnesses an act of ethnic cleansing in ‘The Man Who Could Not Remain Silent’, a well-drawn portrait of the wary silence of complicity that allows evil to triumph. Winner of the Palme D’Or – Short Film at Cannes.
A man fastidiously records his electrical energy consumption, gradually counting down to his demise, in this strangely compelling and poetic 16mm short, 3 MWh.
Like a Sick Yellow is a fragmentary portrait of place that blurs fact with fiction to create an elusive and unnerving meditation on memory and the Kosovan war.
A young woman acclimatises to the rhythms of a new city while reflecting on those of her lifestyle in looking she said I forget, the heady short from Naomi Pacifique.
An innocuous question intended to be sexy and intimate probes at relationship boundaries in Freak, a short film about what it means to be truly honest and truly accepted
Kevin Jerome Everson’s latest short – Practice, Practice, Practice – is yet another perfectly calibrated examination of the aspects of African-American labour that packs a powerful punch.
The historical documentary Pirates of the Mediterranean combines an operation to uncover a 16th century shipwreck with re-enactment and talking heads to explore an overlooked element of Europe’s past.
A father attempts to create some kind of life and legacy for his blind son in this tender but bittersweet Maltese drama, Beautiful Lie.
In the slantwise ethnographic documentary ‘Empathfridges’, Rakel Jonsdottir explores the concept of shared fridges in Iceland to create microcosmic portraits of place and community.
The experimental short If I die, will I go home? unnervingly explores the psyche of a young man wrestling with how to survive as an adult when bound by the long grip of childhood trauma.
A young women who suffered a stroke at the age of thirteen, Hafey reconnects with the use of her body through dance in this moving and affirming documentary portrait.
Crypto-currencies and cryogenics become intertwined in Gala Hernandez Lopez’s illusory dual-screen collage which ruminates on humanity’s speculative relationship with the future, for here am i sitting in a tin can far above the world.
A filmmaker explores her struggles with motherhood and artistic stimulus through a correspondence and a short film about birdwatching in That’s All from Me, a deft epistolary short.
A man has his heart removed in an attempt to lessen his existential anguish in Fanny Sorgo and Eva Pedroza’s expressive, lingering animation, Tako Tsubo.
The outmoded bleach sellers of Tangier offer a window to a simpler time and a resistance against rampant growth in Hicham Gardaf’s tranquil documentary, In Praise of Slowness.
An elderly couple retreats from the outside world in preparation for the launch of three artificial moons in the strange and meditative experimental documentary, The Moon Also Rises.
Santiago, Chile is both brought into focus and dreamily abstracted in Towards the Sun, Far from the Centre, a languid city symphony featuring a queer couple looking for a space in which they can express themselves.
A wonderfully observed sketch of a family lunch in late-1990s China, Remains of the Hot Day not only captures period mood but is compiled from glimpses of myriad miniature dramas.
A young girl avoiding her home and a woman returning to hers after a long absence form a brief but profound bond in Selin Oksuzoglu sparkling short, Bye Bye Turtle.
A young girl draws a circle on the ground and people are drawn to stand within its borders in Joung Yumi’s typically mannered and strangely engrossing monochrome animation.
A teenager navigates the social pressures of school and the expectations of family in Muna, a thoughtful coming-of-age drama about personal desires and dislocated grief.
Language is an instrument of oppression and a tool to combat it in Tevin Kimathi and Millan Tarus’ charming tale of childhood resistance, Stero.
Ilir Hasanaj’s deeply empathetic documentary ‘Workers’ Wings’, is centred on manual labourers who have suffered workplace injuries, is a tender and intimate marvel.
In the spritely and tactile essayistic ode to a heroine of Greek myth Daphne was a torso ending in leaves, Catriona Gallagher reflects on the legacy of an ancient arboreal transformation.
‘History Is Written at Night’ is an unusual portrait of the blackouts that have plagued Cuba over the past few years and an exquisite exercise in atmosphere.
In the 16-minute short DUCK, visual artist Rachel Maclean co-opts the inherent suspicions of cinematic espionage to craft this surreal mash-up about the escalating media paranoia.
Just over a dozen artworks are observed in situ in 14 Paintings, a patient but cumulatively fascinating cross-section portrait of contemporary China.
Sirin Bahar Demirel’s stimulating bricolage short, Between Delicate and Violent, combines archival imagery with animation to examine how pictures tell stories and whether they can be mined for truth.
Chloe Galibert-Laine’s latest video essay, I Would Like to Rage, reflects on the place of rage online and through this lens explores the blurred lines between authenticity and performativity