Author: Clarence Tsui

Painter-filmmaker Liu Jian’s third animated feature (his second in Berlin competition) lacks the bite to capture the painful realities faced by Chinese art school students as their country opened up to the West and capitalist ideals.

South Korean auteur Hong Sang-soo teases all the humour and melancholy out of his young cast in a comedy of awkward manners, bowing in the Berlin sidebar Encounters.

Japanese director Yui Kiyohara’s second feature combines delicate human drama, mesmerising imagery and a reflection on personal and social history.

Vlad Petri’s visually captivating yet structurally slippery found-footage film reflects on the suppression faced by young, idealistic Romanian and Iranian women under self-avowed “revolutionary” regimes.