Inspired by the sentiments of Anton Chekhov’s ‘The Seagull’ and mirroring the aesthetics of Ryusuke Hamaguchi’s ‘Drive My Car’, Macau filmmaker Hong Heng-fai’s first feature offers sensual and sultry drama about love, art and human existence.
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French documentarian Nicolas Philibert’s latest feature, competing in Berlin, gives voice to the patients in a psychiatric day care centre floating on the Seine.
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Painter-filmmaker Liu Jian’s third animated feature (his second in Berlin competition) lacks the bite to capture the painful realities faced by Chinese art school students as their country opened up to the West and capitalist ideals.
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James Benning’s latest, bowing in the Berlin Forum, offers a powerful comment on racial politics in the U.S. in a static-shot portrait of the first settlement to be founded and governed by African-Americans.
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