Martika Ramirez Escobar’s audacious first feature is a maniacally meta love letter to Philippine cinema, but its films-within-a-film structure and nods to wildly different genres suffer from the lack of a substantial story.
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Boasting stunning imagery and a great back story, Bhutan’s first film to make the Oscar shortlist works a well-trodden premise into a beautiful, humanist and accessible picture.
Read MoreIndian cineaste Aditya Vikram Sengupta delivers a slow-burning and delicate ensemble drama about the corrupted state of his hometown.
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