Goliath
Kazakh director Adilkhan Yerzhanov’s reinvention of the western is a cutting political allegory, a taut revenge tale and a visual extravaganza rolled into one.
Read MorePosted by Clarence Tsui | Sep 8, 2022 | Festivals, Spotlight, VENICE 2022 |
Kazakh director Adilkhan Yerzhanov’s reinvention of the western is a cutting political allegory, a taut revenge tale and a visual extravaganza rolled into one.
Read MorePosted by Clarence Tsui | Sep 5, 2022 | Festivals, VENICE 2022 |
Philippine auteur Lav Diaz offers a damning and doomed critique of the violent state of his country through the on-screen physical and psychological disintegration of a policeman weighed down by the guilt of his officially-sanctioned murderous past in ‘When the Waves Are Gone’.
Read MorePosted by Clarence Tsui | Aug 31, 2022 | Festivals, VENICE 2022 |
Paris-based Lebanese filmmaker Wissam Charaf’s second feature takes a delicately droll and deadpan approach in depicting social malaise in Beirut, as seen by a migrant Ethiopian maid and a bomb-surviving Syrian refugee.
Read MorePosted by Clarence Tsui | Jun 2, 2022 | CANNES 2022, Festivals, Spotlight |
Lithuanian filmmaker Mantas Kvedaravi?ius was killed by Russian soldiers after shooting footage for this gritty and unnerving documentary about life in the besieged, bombed-out Ukrainian city of Mariupol.
Read MorePosted by Clarence Tsui | May 27, 2022 | CANNES 2022, Featured, Festivals, International Oscars 2024 |
Winner of the Jury Prize in Un Certain Regard, Sadiq’s delicate first feature explores the destructive force of patriarchy in a Pakistani family and the fallout from a long-unemployed man’s work at an erotic dance theatre.
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