Filmmaker Roberto Andò combines a wary humanism with expert storytelling to expose the anti-heroic truth about Garibaldi’s 1860 invasion of Sicily to overthrow the Bourbon monarchy and unite Italy, though the comic subplots running through the film tend to be distracting and hard to digest.
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A troubled, politically entangled premiere in Venice’s Giornate degli Autori has partly overshadowed Rusudan Glurjidze’s wistful Georgian comedy that cleverly targets Georgian-Russian relations.
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The director of Georgia’s International Film submission ‘The Antique’ discusses the film’s difficult Venice debut and modern-day censorship from Russia.
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The topic is marriage and the four compulsively watchable stories that make up Noha Adel’s ‘Spring Came Laughing’ nail the shallowness, hypocrisy and suffering of Egyptian middle-class women, caught in a web outdated traditions.
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A captivating story, at once simple and profound, describes the relationship between a blind boy and his loving grandfather as they travel through the desert in Daoud Aoulad-Syad’s layered road movie, ‘The Blue Lake’.
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