Axiom
Jöns Jönsson’s intriguing slow-burner about a charismatic fabulist occasionally challenges our suspension of disbelief, but its exacting evocation of atmosphere nicely plays on the tension between normality and disruption.
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Posted by Jay Weissberg | Feb 17, 2022 | Berlin, Festivals |
Jöns Jönsson’s intriguing slow-burner about a charismatic fabulist occasionally challenges our suspension of disbelief, but its exacting evocation of atmosphere nicely plays on the tension between normality and disruption.
Read MorePosted by Jay Weissberg | Feb 15, 2022 | Berlin, Featured, Festivals |
Maggie Peren’s evocation of young, reckless Jewish forger Cioma Schönhaus during the dark days of Hitler’s Berlin is strong on physical atmosphere but can’t balance his devil-may-care spunk with a sense of what awaits should he be caught
Read MorePosted by Jay Weissberg | Feb 14, 2022 | Berlin, Festivals |
Magnum photographer Micha Bar-Am’s life and work is powerfully, sometimes painfully recounted through still images and offscreen voiceover in Ran Tal’s multilayered documentary that questions the psychological effects of shooting atrocities.
Read MorePosted by Jay Weissberg | Feb 13, 2022 | Berlin, Featured, Festivals |
A joyful, transgressively liberating ode to cinema and the way an unexpected passion can make societal barriers disappear, Nicolette Krebitz’s intelligently written and expertly crafted love story about an older woman and a much younger man is a delight.
Read MorePosted by Jay Weissberg | Feb 13, 2022 | Berlin, Festivals |
There’s not much new in this lovingly made impressionistic documentary about New York’s very well-chronicled Chelsea Hotel, but the place and its tenacious residents still have a pull.
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