Author: Jay Weissberg

Amanda Kramer recreates a 1970s-style variety TV special to comment on a certain kind of diva celebrity, but the results are tediously self-indulgent, clueless about camp affect, and open to claims of disingenuousness.

This fictionalized portrait of a trans woman’s emotional journey towards selfhood tries to cover too many bases in the psychological process, but Raphaëlle Perez’s sympathetic performance and the film’s overall sensitivity make up for some of its flaws.

A pleasant though minor queer-skewed indie slice-of-life look at Millenials in Chile, using a ghost device as a way of concretizing the niggling concerns within a struggling actor’s subconscious.