Festival Reviews

Harkis

Harkis

A fiery and timely reflection about a dark episode in French history at the risk of being written out of the books with the normalisation of far-right politics in the country.

Rodeo

Rodeo

Writer-director Lola Quivoron’s debut, Rodeo, belongs to a recent class of French films made by and about young women, with stories that combine the coming-of-age genre — what the French call un film d’initiation — with elements of a Hollywood thriller or horror...

The Eight Mountains

The Eight Mountains

Felix van Groeningen and Charlotte Vandermeersch adapt Paolo Cognetti’s novel for the big screen and while the film takes too long to get going, its final hour impresses.

Kudos to Patricio Guzman

Kudos to Patricio Guzman

The bloody military coup that shook up Chile in 1973 would not be as well known around the world without the remarkable documentary trilogy made by Patricio Guzman, The Battle of Chile (La batalla de Chile). After the coup, Patricio was imprisoned in the infamous...

Feminist Riposte

Feminist Riposte

Newcomers Marie Perennes and Simon Depardon’s documentary looks at feminists across France whose posters and slogans try to reclaim public spaces and denounce sexism, violence and femicides.

Showing Up

Showing Up

Michelle Williams reunites with feted indie writer-director Kelly Reichardt for ‘Showing Up’, a modest but moving portrait of frustrated artists and dysfunctional families.

Broker

Broker

Japanese director Kore-eda Hirokazu’s first film lensed in South Korea, about a well-intentioned gang who sell motherless babies, is a minor work with only distant echoes of his 2018 Palm d’Or winner Shoplifters, but still imbued with the filmmaker’s militant humanism.

Awards Corner

CANNES 2022

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