Indonesian filmmaker Harung Bramatyo makes his first foray at a top-ranked international festival with “Gowok: Javanese Kamasutra’, a visually arresting cross-generational melodrama charting an appre’tice sex tutor’s entangled emotions about love and emancipation.
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Powerful performances from Taiwanese actors Kimi Hsia and Yang Kue-mei anchor Taiwanese filmmaker Tom Lin Shu-yu’s beautifully filmed black-and-white family drama ‘Yen and Ai-lee’.
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Featuring nuanced performances from its leads, Payal Kapadia’s tender relationship drama ‘All We Imagine As Light’, about three women working in a Mumbai hospital, is the first Indian film to compete for the Palme d’Or in more than three decades.
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Despite a few bumpy moments, actor-director Noémie Merlant’s gory feminist horror comedy ‘The Balconettes’ paints a rowdy, richly imagined portrait of three ladies on fire.
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Profilic French prankster Quentin Dupieux finds the funny side of cancel culture, AI and actorly vanity in his meta-comic Cannes film festival curtain-raiser ‘The Second Act’.
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